Even though Mozart's Die Entführung aus dem Serail is quite well known, it is not one of the composer's most popular pieces. In the 2015/16 season, it was listed on the Operabase website as only the 27th most performed opera in the season.

     The music of Entführung is very beautiful and despite being vocally demanding for the singers, the biggest challenge often faced with this opera is its staging. It is often considered difficult to find an exciting concept for the simple storyline, in which a young man tries to abduct his girlfriend from a Harem.

     Fortunately, all of the Entführung productions I have been a part of, to date, have been well received, with Kassel being no exception. The opening night for the current production took place in June last year and was met with enthusiasm by both the public and the press. The modern approach by Adriana Altras has successfully maintained the integrity of the simplistic storyline without compromising its humour. Adriana is not only a stage director, but also a well known actress and writer in Germany and her autobiography, Titos Bille, has also been filmed.

     Under the baton of young Maestra, Anja Bihlmaier, the Kassel ensemble and orchestra combine to make musically thrilling performances. Anja has a very promising career as an international conductor and is currently the Kappelmeister in Kassel.

     The ensemble members of Staatstheater Kassel are invaluable and they make it very easy for me to get the most out of my role, Osmin.The following are some of my reviews as Osmin in this production in Kassel: "...stimmlich enorm beweglichen Bassisten Bjarni Thor Kristinsson als Osmin..", "...Der Bass Bjarni Thor Kristinsson ist als Osmin in jeder Hinsicht eine Wucht..." and "...Hier versteht Osmin, von Bjarni Thor Kristinsson im Kaftan mit umwerfender Basskraft und komödiantischer Präsenz verkörpert, seinen Dienst..."

     The last performance of Die Entführung aus dem Serail in Kassel this season is on March 12th.

     Bjarni Thor

Bizet's Carmen is the 4th production of the Icelandic opera at the new Concert house Harpa in Reykjavik. The first three were The Magic Flute (in Icelandic) and then La Bohéme and Il Trovatore (both in Italian). There are always different opinions on the subject of language in opera productions but more and more opera houses perform their operas only in the original language. The Icelandic Opera follows this thrend and in the last years only Magic Flute and the dialoges of Mozart's Entführung were in Icelandic.

     The opening night is tonight and everyone is getting very excited. There are two casts in the main roles; Hanna Dóra Sturludóttir and Sesselía Kristjánsdóttir share Carmen, Kolbeinn Jón Ketilsson and Garðar Thor Cortes sing Don José, Hallveig Rúnarsdóttir and Þóra Einarsdóttir sing Micaela and Hrólfur Sæmundsson and Kristján Jóhannesson are in the role of Escamillo. I share Zuniga with a good friend and a great college and bass Viðar Gunnarsson. Other roles are sung by Valgerður Guðnadóttir, Snorrí Wíum, Ágúst Ólafsson, Jóhann Kristinsson and my lovely girlfriend Lilja Guðmundsdóttir, who makes her debut at the Icelandic opera in the role of Frasquita.

     The production team includes stage director Jamie Hayes and conductor Guðmundur Óli Gunnarsson.

     French or Icelandic; Biset's Carmen is a masterpiece with a great story and fantastic music. The last production of Carmen in Reykjavik was 30 years ago - It was about time to do it again.

     Bjarni Thor

Alban Berg's Wozzeck is one of the masterpieces in the 20th century opera history. It is based on a play by George Büchner and "deals with the dehumanising effects of doctors and the military on a young man's life." (Wikipedia)

     Two years after the opening night of the successful production of Ingo Kerkhof at the Opera in Cologne, I was asked to sing the role of the Docktor in the revival. Most of the singers where the same as in 2011 with Austrian baritone Florian Boesch as Wozzeck and the Lithuanian soprano Asmik Grigorian as Marie. Markus Stenz, GMD of the opera Cologne was conducting. Thomas Piffka was the new Hauptmann and Marco Jentzsch the new Tambourmajor.

     The revival was on the 29th of September and tonight (12th of October) is the last performance in this series.

     It has been a great fun to work with all those fantastic artists; specially to have the stage director Ingo Kerkhof in the rehearsel period for my first Doctor.

     Bjarni Thor

Welcome to my new official homepage. The aim of this website is to give people who are interested an oppotunity to get to know me and my work as an opera singer. You can read a short biography, check on my repertoire and calendar, look through some pictures, watch videos and read reviews. Of course only the "good" ones! On this first page I will occasionally post news. If you want to be informed please press the "like" button here on the left hand side.
     I think it is important for an artist to have an official website. The amount of information one can get from the internet is huge and it does not always give the right impression. Since I am writing this page myself, I have decided to write in the 1st person. I hope this gives the website a friendly feel.
     Thank you very much for visiting this new homepage and I hope you will enjoy reading about me and listening to my recordings.

     Bjarni Thor